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Marina Alberti’s ‘Aitana’ is a poignant journey into memory and identity

Film Review: ‘Aitana’ directed by Marina Alberti
Rating: ★★★★☆

“Aitana,” directed by Marina Alberti, is a short documentary film that offers a deeply emotional and philosophically rich exploration of memory, identity, and familial bonds. Premiered at the prestigious 80th Venice International Film Festival in the Orizzonti section, this film delves into the personal journey of the filmmaker as she grapples with her mother’s battle with Alzheimer’s disease, a condition that erodes her memories and threatens her sense of self.

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The central theme of “Aitana” revolves around the profound impact of memory on personal identity. Through this film, Marina Alberti skillfully navigates the intricate web of psychology and philosophy, providing a narrative on the fundamental role of memory in shaping who we are. The film underscores the idea that our memories serve as the scaffolding of our personal identity, anchoring us to our past, our surroundings, and our emotional connections.

The film commences with a clever juxtaposition of vintage film footage featuring the director’s grandmother, Maria Teresa Leon, a renowned writer, and a contemporary photograph. This juxtaposition eloquently symbolizes the connection between past and present, memory and reality. The subtle integration of environmental sounds onto the image frame adds an additional layer of depth, portraying memory as an inescapable shadow that follows us.

Throughout “Aitana,” the viewer is treated to intimate dialogues between the filmmaker and her mother. These conversations offer a window into the daughter’s unwavering efforts to help her mother maintain her connection with the world, even as Alzheimer’s threatens to sever it. The emotional resonance of these exchanges underscores the profound bond between mother and child and the profound anguish associated with the loss of memories.

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The film delves into the concept of “functional independence,” particularly as Marina Alberti gathers her mother’s notes and writings. Her mother’s anxiety about potentially misplacing these precious memories serves as a poignant reminder of the intrinsic value of our recollections. The film impressively underscores that our memories encompass not just personal experiences but also our historical identity, emotional connections, shared moments with loved ones, and more.

Alberti employs metaphors skillfully throughout the film. The scene where the elderly mother firmly grasps her daughter’s hand, much like a child holding onto their mother to avoid getting lost, is a particularly poignant moment. It beautifully encapsulates the idea that even as Alzheimer’s threatens to steal her memories, this simple act of connection prevents her from losing her emotional ties and her connection to the world.

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In conclusion, “Aitana” is an emotionally resonant and thought-provoking documentary that transcends traditional storytelling. Marina Alberti’s direction and the film’s exquisite use of metaphors create a moving and intellectually stimulating cinematic experience. It explores the intricacies of memory and identity while underscoring the enduring power of human connections.

Navid Nikkhah Azad
Navid Nikkhah Azad
Navid Nikkhah Azad is an Iranian film director, critic, and journalist. He serves as the critic and editor-in-chief at ZIZ and is a member of the Dutch Association of Journalists (NVJ) and the International Federation of Journalists (IFJ).