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Leila Basma’s ‘Sea Salt’ dives deep into existential waters

Film Review: ‘Sea Salt’ directed by Leila Basma
Rating: ★★★★★

Leila Basma’s “Sea Salt,” a captivating short film presented at the 80th Venice International Film Festival, delves into the intricate tapestry of identity, personal choice, and the eternal quest for freedom. This thought-provoking cinematic piece navigates the inner world of its protagonist with a deft touch, offering audiences a stimulating journey through a sea of symbolism.

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At its core, “Sea Salt” encapsulates the essence of existential limbo, portraying a younger generation trapped in the labyrinth of indecision. Much like vessels adrift, they wade through the tumultuous waters of life, uncertain of their course—a poignant reflection of the human experience at large.

Basma’s mastery lies in her meticulous use of symbolism, which infuses every frame of the film with a profound double meaning, akin to a crossroads where choices hold profound consequences. The title itself, “Sea Salt,” reverberates with multifaceted connotations, while the omnipresent motif of the color red underscores desires and aspirations, and the boundless sea represents unfulfilled dreams.

The film’s commencement unveils an intimate sexual reverie, delicately portrayed by Nathalie Issa as Nayla. Clad in red shorts and a bra, she reclines by the sea, establishing an immediate connection with the audience. This scene serves as a visual feast of liberation and self-fulfillment, executed with commendable restraint.

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The recurring motif of red permeates the film, serving as a visual leitmotif for desires and ambitions. The sea, in contrast, symbolizes unattainable yearnings, while the title “Sea Salt” encompasses notions of healing and the broader human experience. This allegorical layering enriches the narrative, inviting deeper contemplation.

Nayla, the film’s central character, embodies an intriguing duality. The audience witnesses her oscillating between two worlds: the religious and traditional, symbolized by her post-pleasure ablutions and prayers, and her modern aspirations for freedom, represented by her desire for short shorts and a plunge into the sea.

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Throughout the film, the theme of external influence and the weight of others’ expectations takes center stage. Characters around Nayla, convinced of knowing her best, attempt to steer her destiny. This conflict, whether from her brother’s proposal to move to Canada or her boyfriend’s wish to remain in Lebanon, adds layers of complexity to the narrative.

Notably, the film employs underwater scenes, where Nayla appears suspended, struggling against the sea’s pull—a powerful metaphor for internal turmoil. Her eventual emergence from this state underscores her path towards self-empowerment and decision-making.

Basma’s direction retains an organic and fluid quality, with cinematography and visual effects playing pivotal roles in enhancing the film’s impact. The pacing of the film strikes a balance between contemplation and engagement, effectively drawing the audience into Nayla’s world.

In conclusion, “Sea Salt” is a compelling cinematic endeavor that invites viewers to embark on a profound exploration of identity and freedom. Leila Basma’s masterful use of symbolism and the nuanced performances by the cast contribute to an enriching cinematic experience. This short film stands as a testament to the power of visual storytelling and its ability to provoke introspection on the complexities of the human journey.

Navid Nikkhah Azad
Navid Nikkhah Azad
Navid Nikkhah Azad is an Iranian film director, critic, and journalist. He serves as the critic and editor-in-chief at ZIZ and is a member of the Dutch Association of Journalists (NVJ) and the International Federation of Journalists (IFJ).