Film Review: ‘Dormitory’ directed by Nehir Tuna
Rating: ★★★★☆
Nehir Tuna’s “Dormitory (Yurt)” is a thought-provoking drama that immerses viewers into the intricate web of a young boy’s struggle to reconcile conflicting worlds. Set against the backdrop of 1996 Turkey, during a period marked by tension between religious and secular factions, this film delves deep into the realms of sociology, psychology, and philosophy, creating an engaging narrative that challenges the viewer’s perception.
The film commences with a clever exploration of identity. In an English language class, the question “What is my name? Where am I from?” resonates, setting the stage for a story centered on the enigmatic character of Ahmet. A 14-year-old boy, Ahmet is thrust into the vortex of opposing forces, oscillating between his secular school life and his immersion in an Islamic dormitory, known as a “yurt.” This central contradiction is a powerful narrative device, underlining the complexities faced by Ahmet.
The dormitory itself serves as a microcosm of the ideological clash gripping Turkey during this era. Ordinary lives are consumed by the battle of beliefs, and director Nehir Tuna skillfully captures the fervor and tension that define this struggle. Ahmet’s father, Kerim, plays a pivotal role in this narrative. His recent conversion to Islam leads him to seek redemption through Ahmet’s immersion in religious teachings. The interplay between father and son unveils profound psychological layers, highlighting the human yearning for parental acceptance and love.
The film excels in portraying Ahmet’s emotional journey. His longing for his father’s approval leads him to internalize Islamic values, culminating in a poignant exploration of self-worth and paternal love. The moments of connection between father and son, particularly their exhilarating car ride, are deeply affecting. Ahmet’s quest to embody his father’s values becomes a defining aspect of his identity.
However, the film not only explores the dynamics within Ahmet’s family but also delves into the theme of friendship and mentorship. Ahmet’s relationship with Hakan, a fellow resident of the dormitory, takes on a fatherly dimension. Their bond is a testament to the film’s ability to navigate the complexities of adolescent friendships and the search for guidance.
Superstition and fear play a significant role in the characters’ lives, underlining the power of religious influence. Rituals and beliefs are compellingly depicted, revealing the hold of fear on individuals’ actions.
“Dormitory (Yurt)” successfully captures Ahmet’s inner turmoil as he navigates a precarious existence, torn between his two worlds. The film’s cinematography and set design are outstanding, immersing the audience in the contrasting environments that shape Ahmet’s life. The performances are commendable, with the actors effectively embodying their characters.
Despite its strengths, the film does encounter a slight lull in its final act, where the initial momentum appears to wane. The resolution feels somewhat imposed, lacking the organic flow that characterized the earlier portions of the story.
In conclusion, “Dormitory (Yurt)” is a compelling exploration of identity, acceptance, and the clash of ideologies. Nehir Tuna’s direction brings to life a poignant narrative, leaving the audience with much to contemplate.
