Film Review: ‘MelK’ directed by Stefanie Kolk
Rating: ★★★★☆
“MelK” is a poignant cinematic exploration directed by Stefanie Kolk, which found its place in the prestigious competition section of the 20th Giornate degli Autori, formerly known as Venice Days, at the 80th edition of the Venice International Film Festival.
The film’s narrative revolves around the aftermath of a stillborn birth, as Robin’s breasts inexplicably begin producing milk. Rather than discarding this unexpected offering, she embarks on a journey to donate her surplus milk. However, this quest proves far more challenging than she initially anticipates, leading to an accumulation of milk in her freezer, mirroring the inundation of emotions in her life.
“MelK” delves into the profound theme of loss and the intricate emotional connections forged in its wake. Robin, portrayed by Frieda Barnhard, awakens in the aftermath of her stillborn child’s delivery, lost in a state of shock and disbelief. Her baby’s absence leaves a void, yet her breasts overflow with milk, bereft of a child to nourish.
The film conveys Robin’s sense of entrapment within the realm of grief and motherhood. Her decision to donate her breast milk becomes symbolic, a desire to contribute a part of herself to the world. Using a breast pump, she not only fills small milk bottles but infuses them with her love and maternal care, transforming them into vessels of profound emotion.
Yet, the path to donation is fraught with obstacles, as hospitals initially reject her milk due to her prior illness. Robin’s unwavering determination drives her to persist until she can provide her milk to a child in need.
Towards the film’s emotional crescendo, a powerful scene unfolds, where Robin distances herself from the milk she has pumped, laying her head upon the bottles. These vessels become poignant symbols of her lost child, encapsulating her entire being and love. As she listens to the heartbeats within these milk-filled containers, she prepares to bid her farewell.
“MelK” culminates in a striking moment of connection between two mothers, one yearning to donate her breast milk and the other grappling with an insufficient supply despite having a child.
Frieda Barnhard’s performance as Robin is nothing short of commendable, imbuing the character with depth and authenticity that resonates profoundly with the audience during moments of both sorrow and joy.
Alexander Reumers’ musical composition, seamlessly integrated into various segments of the film, is nothing short of brilliant. It skillfully conveys a sense of hope, resilience, and the journey toward fulfillment.
In summary, “MelK” is a cinematic experience that delicately navigates the intricacies of loss, motherhood, and the human spirit’s resilience. Stefanie Kolk’s direction, coupled with Frieda Barnhard’s outstanding performance and Alexander Reumers’ evocative music, results in a profoundly moving and thought-provoking cinematic experience that lingers in the viewer’s mind long after the credits roll.
